The Boy

The Girl (as Reri)
The Policeman (as Jean)
The Old Warrior
The Captain (uncredited)

Bud and Lou, two stranded American archaeologists, run afoul of an Egyptian cult with big plans to resurrect the mummified corpse of Klaris, guardian of his Princess Ara's treasure-filled tomb. When Lou accidentally eats the cursed medallion needed to find the ancient treasure, the two become targets of the cult's leader, his goons, a mysterious femme fatale, and the mummy of Klaris himself!

A simple typewriter is familiar with a garage-facing young man, who is recommended to be a big business man. The same is done by her, presenting the daughter of his boss industrialist. In the end, however, all is corrected, misunderstandings are overlooked and the poor typist marries the poor garage.

During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.

This tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's beautiful daughter Gilda. The opera's original title, La maledizione (The Curse), refers to the curse placed on both the Duke and Rigoletto by a courtier whose daughter had been seduced by the Duke with Rigoletto's encouragement. The curse comes to fruition when Gilda likewise falls in love with the Duke and eventually sacrifices her life to save him from the assassins hired by her father.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.