Easter Customs

The Day of the Dead is one of the most deeply rooted and celebrated traditions in our country and when this festivity takes place in a magical town, the event becomes something memorable. The Day of the Dead tradition in Huautla de Jiménez, Oaxaca begins on October 27 with the arrival of the chá to xo´o´ and the celebration lasts six days. Hand in hand with its inhabitants, we will take a tour to witness all the colors, smells, flavors, sounds, textures, and visions that surround this ancestral festival and that of the Mazatecs.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

A simple story, but larger than life portrayal of the universal human saga represented through Dionis, a retiring biology professor, his wife and his fantasy of turning his unusual car collection into a museum in a small uneventful town.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.

IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.

A documentary film exploring humanity's relationship with technology and with the natural world. Shot over a 5-year period in more than 30 countries, the film pioneers new timelapse, time-dilation, underwater, and aerial cinematography techniques to give audiences new eyes with which to see our world.

In its portraits of three monks, Erik Praus’s documentary captures the inimitable spiritual ambiance and mysticism of Pochayiv Lavra, an Eastern Orthodox monastery on a hill above the town of Pochayiv in western Ukraine’s Ternopil Oblast. Fathers Gabriel, Vicilentius and Nazarij have left their past traumas behind, finding peace, balance and their lives’ meaning at the monastery. Their stories are allegories of spiritualization and purification from human passions against the backdrop of the turbulent Ukrainian reality. Motivated by material need and spiritual desperation, the faithful flock to this place of pilgrimage in search of new strength and forgiveness. The film respectfully observes the monks’ everyday lives, while also noticing the opulent splendour of their surroundings. The road to faith is not a privilege of the chosen few; it is open to all who hear its “calling”.

The Shipibo-Konibo people of Peruvian Amazon decorate their pottery, jewelry, textiles, and body art with complex geometric patterns called kené. These patterns also have corresponding songs, called icaros, which are integral to the Shipibo way of life. This documentary explores these unique art forms, and one Shipibo family's efforts to safeguard the tradition.

This documentary looks at the stories that take place around a unique 1.5 kilometre long bamboo bridge that for generations has been built every year following the rhythms of nature across the Mekong River to join the rural community of Koh Paen to the city of Kampong Cham in Cambodia.

The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.