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Documentary
A documentary that explores the dim world of illicit trade in antiquities, as well as the long and hard struggle for the repatriation of all stolen treasures.
Part 1 looks at the status of cultural treasures taken from their country of origin during colonial times. Voices demanding repatriation are getting stronger. Museum directors talk about why their institution is the rightful owner and custodian of certain objects. Cultural activists demanding repatriation explain the necessity of guarding their cultural heritage in an accessible place in the home country. Nefertiti is in Berlin, The Parthenon Marbles are in London, The Rosetta Stone is in Paris and many other priceless historical pieces in many other capitals of the West, all house objects that are at the centre of a heated discussion. Legal and ethical questions in a tug of war make this debate a murky one, at best. However, there are examples of cases where a mutually beneficial solution has been found.
Part 2 focuses on the Parthenon marbles from Athens which is the best-known example of cultural heritage where there is a heavy ongoing debate. Should the marbles be unified? Should the country of origin have a say in how cultural heritage is introduced far away from home? Problems created by people long ago which need to be solved.
Part 3 looks at the current situation in the Middle East and how that affects the cultural heritage of certain areas. The turmoil in Iraq, Egypt, Libya and Syria has led to mayhem in the cultural heritage domain: looted museums and looted archaeological sites. This has not stopped. Financing terror organizations like the Islamic State happens by selling looting licenses to entrepreneurs and professional art thieves. Looting and forgeries now take place on an industrial scale polluting our common history
No cast information available.
Whether it's the famous steps of the Titanic or the legendary lunar landing of Apollo 13, there is no museum exhibit that the expert builders at Creative Arts Unlimited, Inc. can't re-create. Viewers will follow these highly skilled craftsmen as they use their expertise to meticulously rebuild history in museums across the nation. Led by Roger Barganier (co-founder, president and creative director), the team at Creative Arts Unlimited, approach each build with a determination to tell a story. Every exhibit that is produced by the Museum Men is engaging, informative, and historically accurate. No detail is overlooked, because for Creative Arts authenticity is everything. In addition to building for museums, Creative Arts also re-creates items for private collections. But whoever the recipient may be, every build poses unique challenges, including hard-to-find research, demanding schedules, and obsolete methods of construction.
Andy works at the National Museum in the Dinosaur Gallery with Hatty. After part of an exhibit is damaged or needs replacing, Andy travels back in time to age of Dinosaurs using the Old Museum Clock to find a replacement piece. He encounters many Dinosaurs and other creatures that lived at the same time.
