Comedy / Drama
In the headquarters of a major American automotive company in Detroit, a floundering group of executives at Payne Motors must adapt to the changing times or be sent to the junkyard.


Payne Motors gets a new CEO on the same day they’re rolling out a new self-driving — and problematic — vehicle

Katherine deals with the PR fallout of a serial killer driving a Payne; Jack tries to figure out his role in the company

Katherine promises a big announcement on her first quarterly earnings call. Jack and Elliot negotiate a contract with the line workers union.

Sadie and Cyrus struggle with how honest to be about Katherine’s car idea. Elliot pawns his vicious dog off on Dori.

The group travels to Iowa for the opening of a new factory.

Katherine and the team reshoot a commercial to make it more inclusive of the LGBTQ+ community.

The executives realize a Payne vehicle may have a faulty part and debate whether to issue a recall.

Katherine and the team attempt to boost employee morale after the Payne CFO announces his resignation.

The group attends the annual Payne Foundation Fundraising Gala. Katherine suspects her job may be in jeopardy. Wesley deals with a family rivalry.

When a TV newsmagazine films a segment on Katherine, the team struggles to portray her in a positive light while avoiding “gotcha” questions.

Sadie

Katherine

Jack

Wesley

Cyrus

Elliot

Dori

The Squirrels is a British television sitcom, written by Eric Chappell, who went on to create the Yorkshire Television sitcoms Rising Damp and Only When I Laugh. It ran for 3 series and 28 episodes and was made and broadcast from 1974 to 1977 on the ITV network, by ATV. Phil Redmond, the creator of now defunct Soap-Opera Brookside, was also a writer for the series.

A family of ne'er-do-wells must band together to keep their heads above water when their father and breadwinner passes away, leaving them a mountain of debt. The Engels must all go to work running Dad's storefront law firm, with one minor problem – daughter Jenna Engel is the only one who is qualified to practice law. Unfortunately for Jenna, this also means taking on her eccentric relatives as co-workers, including her self-involved mother Ceil, her pill-popping sister Sandy and her bad boy brother Jimmy. Jenna, the youngest sibling, becomes the unlikely family patriarch, running the law firm and keeping her crazy family together.

Rudi Wilson is a former record executive who decides to move to the suburbs and see if she can hold her own in the world of motherhood. What Rudi finds is that her hard-partying lifestyle, frequent drinking and tendency to use profane language don’t necessarily gel with the lifestyles of her neighbours in the suburbs.