Documentary
Brian Cox tackles some of the most challenging and intriguing questions facing science today by using his best material from past programmes and the latest scientific research.


Brian believes we are at the start of a new age of space travel, where space flight is on the verge of becoming routine. In this episode, he explores the latest science and takes a new look at his old films and asks: how far can we go in our exploration of the cosmos?

Brian Cox looks at our attempts to answer one of the most profound questions we can ask – are we alone in the universe? In this film, he explains why this search should be taken seriously.

Brian takes a fresh look at the concept of gravity, revealing it to be far more than just the force that makes things fall to the ground.

Brian explores the enigma of time – a phenomenon that we take for granted but which, as far as physicists are concerned, is one of the biggest mysteries in the universe.

Self - Presenter

What does it feel like to be one of the best tennis players in the world? An intimate look inside the life of one of the most gifted and complex athletes of her generation offers insight into the tough decisions and ecstatic triumphs that shape Naomi Osaka as both an elite global superstar and a young woman navigating a pressure-filled world.

That'll Teach 'Em is a British reality television documentary series produced by Twenty Twenty Television for the Channel 4 network in the United Kingdom. Each series follows around 30 teenage students as they are taken back to a 1950s/1960s style British boarding school. The show sets out to analyse whether the standards that were integral to the school life of the time helped to produce better exam results, to the current GCSE results and to compare certain contemporary educational methods with modern ones. As part of the experience, the participants are expected to board at a traditional school house, abiding by strict discipline, adopting to 1950s diet and following a strict uniform dress code. After four weeks, the students then take their final exams, produced to the same standard as contemporary GCE O Levels. There were three series of the show, the first airing in 2003, the second in 2004 and the third and final series in 2006.

A weekly Emmy-nominated television program dedicated to educating, entertaining and connecting the community to the engaging stories and people behind their food by profiling local food treasures and highlighting the passionate and hardworking individuals responsible for the burgeoning “Good Food Movement.”

This newsmagazine series investigates intriguing crime and justice cases that touch on all aspects of the human experience. Over its long run, the show has helped exonerate wrongly convicted people, driven the reopening — and resolution — of cold cases, and changed numerous lives. CBS News correspondents offer an in-depth look into each story, with the emphasis on solving the mystery at its heart.

The three-part documentary series, compiled from over 60 hours of unseen footage, captures the warmth, camaraderie, and creative genius that defined the legacy of music's most iconic foursome. The series also includes – for the first time in its entirety – The Beatles' final performance at London's Savile Row.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.