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Documentary
Filmmaker Martin Scorsese celebrates US movies from the silent classics to the Hollywood of the seventies.
Film director Martin Scorsese considers the American cinema, divided into short chapters each looking at one aspect of American film, including: the studio system past and present; the question of narrative; technique - both technical and the development of visual literacy specific to films. He also looks at B-movies, films noirs, Westerns, gangster movies and musicals and some of the great figures in American cinema, from von Stroheim and Welles to Kubrick and Cassavetes.
Martin Scorsese looks at the role of film as a technological innovation as directors use the challenges of widescreen, sound and colour to enhance their abilities to tell a story.
In the last part of Martin Scorsese's history of American cinema, he examines filmmakers who hid subversive or dangerous ideas within their movies, such as Nicholas Ray with Bigger Than Life and Orson Welles with Citizen Kane.
Self - Filmmaker / Host
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)
An eight-part series on the history of French cinema from the postwar era to New Wave and beyond. Unearths the stories behind the films’ creation through live and archival interviews with the producers of the films in the series, as well as colleagues, family members, and experts on French cinema. Interlaced throughout is footage from a wealth of classic French films.
