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Documentary
Think you know about vaginas? Think again. In the four-part series running from now through November, we find out that even the most basic of body knowledge is lacking – people still don’t understand what vaginas look like or how they function.
Mona and Mae build a giant vulva, then talk to a gynecologist, a labiaplasty surgeon and a trans woman, to find out what vulvas really look like.
Mona and Mae speak to a doctor who thinks periods are unnatural, a former Olympian, a menstrual blood artist and a formerly incarcerated woman to find out if we should stop having periods.
Women are less likely to orgasm than men – but is it really more difficult for women? Mona and Mae go into the lab with a neuroscientist who measures orgasms to try and find the answer.
It’s not just about sex. Sex education should be giving us the information we need to feel in control of our bodies and make informed decisions about them – but it’s failing. In episode four of Vagina Dispatches, we speak to our moms, friends and sex educators to find out why. Then we give the basics on some topics that are missing from the curriculum, from discharge to menopause.
No cast information available.
About the fight for being something, and become something, but especially about standing at the edge and discover that you forgot to be someone. About the fear of feeling indifferent, and the need to belong somewhere. We follow 21-year-old Asta, who "temporarily" returns to her parents' home in the countryside, after living in Copenhagen. That means a reunion, but also a whole new meeting, with family and friends, both new as well as old. The "hillbilly"s shows up in her life again and confronts the prejudices. The meeting with her hometown turns Asta's relationship with herself, her family, friends and especially love upside down. It forces her to take responsibility and challenges her to discover who and what is hiding behind the Instagram filter.
Driven was a motoring television programme launched by Channel 4 in 1998 as a rival to the successful and long-running BBC series Top Gear. The style was similar to its rival, but with additional features such as the "Driven 100", a road test of three cars in the same class, where each car would be given marks for qualities such as practicality, desirability and cost of ownership. The car with the highest total score would be the winner. The programme launched with the concept that the presenters should interact with each other rather than present items on their own, as was then the case on Top Gear. The first series also featured a "headquarters", a racing team truck, set on a former air force base at which cars were put through their paces. These concepts resurfaced in the reborn Top Gear soon after.
