Documentary / Crime
Life at the Military Corrective Training Centre with soldiers who've broken the law.


Behind the bars of the Military Corrective Training Centre, discipline is the name of the game. A soldier faces up to his relationship with alcohol, and a chef regains his fighting spirit

Can staff at the Military Corrective Training Centre persuade two soldiers that a military life is worth another go. Staff brings out dogs to find a forbidden phone.

A detainee guilty of indecent misconduct fights for his freedom, a domestic violence case erupts in barracks and a deserter suddenly arrives after 17 years on the run.
No cast information available.

Four young people have been arrested for crimes they did not commit. When one of them learns that his daughter is in a critical condition because of an incurable heart ailment, he decides to break out of the jail. He is joined by three other prisoners who also decide to break out of jail. Although their motives and backgrounds are different, all of them are innocent and there are reasons why they cannot wait till their release. They have to get out of jail as soon as they can. So they band together and begin to plan their escape in order to accomplish their goals. Bound for Tokyo, they have to overcome frequent challenges for the sake of their families and loved ones.
Made in Britain is a 1983 British television play written by David Leland, and directed by Alan Clarke, about a 16-year-old racist skinhead named Trevor, and his constant confrontations with authority figures. It was originally broadcast on ITV on 10 July 1983 as the fourth in an untitled series of works by Leland, all loosely based around the British educational system, which subsequently acquired the overall title of Tales Out of School. As with many Alan Clarke works, the director attempts to depict English working-class life, realistically without moralising or complex plots. The play features strong language, violence, racism and an anti-establishment feeling. Cinematographer Chris Menges's use of the Steadicam contributed to the fluid and gritty atmosphere of the play.