The Undertow

Shogo Higuchi is a detective whose wife was murdered by a serial killer. Hikari Tachibana is a voice profiler whose father was murdered. She has a special hearing ability which allows her to hear minutiae sounds that other people do not.

A team of four detectives with distinct personalities specializes in solving cold cases. Led by Luo Yingwei, the team includes gossip queen Cai Wenxin, determined Xia Luoyang, and quiet Feng Yi. Despite their differences, they work together to tackle complex cases and, with help from allies, face off against a powerful drug syndicate.

Manuela is a young woman who lives in a cabin where she studies the Andalusian wetlands. Her life revolves around watching birds. A few kilometres away, Alba lives completely neglected, a seven-year-old girl whose mother, Yolanda, works at night.

Robyn McCall, an enigmatic former CIA operative with a mysterious background, uses her extensive skills to help those with nowhere else to turn.

The Killing is an American crime drama television series based upon the Danish television series Forbrydelsen. Set in Seattle, Washington, the series follows the various murder investigations by homicide detectives Sarah Linden and Stephen Holder.

Cha Su-yeol, a police officer who has long despised his mother, the notorious 'Mantis' serial killer, must reluctantly turn to her for help when a copycat killer emerges.

Sonja lives a rather carefree life with her beloved family. The husband Frederick's marijuana business providing family finances a silver lining. But life is shattered and Sonja forced to play a dangerous game with both organized crime and police to protect their children. She can no longer be sure which ones are her friends and who she can trust.

The drama is shot from the perspective of women and tells a story about finding light in the darkness and embracing hope in motherhood. Lin Xu Zhi is a woman who doesn’t have a past. She was adopted and is still scarred from being abandoned by her birth mother. She’s an elementary school teacher that realizes one of her female students is receiving abuse from her mother. Her maternal instincts kick in, and she impulsively decides to bring the girl into her own care. In caring for the young girl, named Xiao Ou, two broken souls find solace in each other.

Ex-cop Jim Bergerac is forced to confront a troubling past case when a wealthy woman is murdered, pushing him to overcome personal demons and reignite his investigative prowess to navigate family tensions and law enforcement scrutiny.

In 1991 Miami, Dexter Morgan transitions from student to avenging serial killer. When his bloodthirsty urges can't be ignored any longer, Dexter must learn to channel his inner darkness. With the guidance of his father, Harry, he adopts a Code designed to help him find and kill people who deserve to be eliminated from society without getting on law enforcements' radar. This is a particular challenge for young Dexter as he begins a forensics internship at the Miami Metro Police Department.

Team Knight Rider is a syndicated television series that was adapted from the Knight Rider franchise and ran between 1997 and 1998. TKR was created by writer/producers Rick Copp and David A. Goodman, based on the original series created by Glen A. Larson, who was an executive producer. TKR was produced by Gil Wadsworth and Scott McAboy and was distributed by Universal Domestic Television and ran only a single season of 22 one-hour episodes before it was canceled due to poor ratings. The story is about a new team of high-tech crime fighters assembled by the Foundation for Law and Government who follow in the tracks of the legendary Michael Knight and his supercar KITT. Instead of "one man making a difference", there are now five team members who each has a computerized talking vehicle counterpart. Like the original duo, TKR goes after notorious criminals who operate "above the law" – from spies and assassins, to terrorists and drug dealers. The final episode of the season, and series, featured the reappearance of Michael Knight, seen only from behind, at the very end.

A Los Angeles S.W.A.T. sergeant is assigned to lead a highly skilled unit in the community where he grew up. Torn between loyalty to the streets, where the cops are sometimes the enemy, and allegiance to his brothers in blue, he strategically straddles the two worlds.