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Documentary
A vivid six-part portrait of the global entertainment industry.
Gina and Jeremy Newson join the media scrum that is the annual Oscars ceremony and collect views on the film awards from stars and directors, including Tom Hanks, James Woods, Quentin Tarantino, Mel Gibson, and Anthony Minghella.
On any given night, thousands of punchlines are hitting or missing their marks all over London. Hattie Hayridge, Donna McPhail, and Rich Hall contribute to this study of the capital's thriving stand-up comedy scene.
The move from obscurity to celebrity status requires the newcomer to enter a Faustian pact in which the riches and glamour of success are paid for in a lack of privacy. Stars recalling this curious trade-off include Bruce Willis, Faye Dunaway, Richard Dreyfuss, Tom Hanks, Leonardo DiCaprio, Johnny Depp, and Winona Ryder.
The world of daytime talk shows, where people expose their private concerns for public consumption, is one of the most successful and profitable forms of US TV entertainment. Examples from Ricki Lake and The Jerry Springer Show illustrate programme-makers' skill in extracting maximum emotional impact from real-life stories.
In an age dominated by the needs of the entertainment industry, the media are demanding more and more access to actors. Film stars, including Goldie Hawn, Julia Roberts, Bruce Willis, Mel Gibson, Meg Ryan and George Clooney, talk about their role in the publicity machine. Plus a consideration of the contrasting marketing campaigns behind Independence Day and the UK relaunch of cult hit Quadrophenia.
Every night, a parade of stars appears on late-night chat shows - but only if there's a book, record or film to sell. Tonight's programme goes behind the scenes at The Tonight Show with Jay Leno and Late Night with Conan O'Brien to sample the intense pressure of trying to be top-ranking host on the biggest-rated show.
No cast information available.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)
This documentary series follows two first-time film directors, Shane Dawson and Anna Martemucci, who are given the opportunity to direct separate films adapted from the same original screenplay. The series documents the creation, marketing, and theatrical release of both films, and through multiplatform voting, the audience will ultimately determine which director will be awarded $250,000.
Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States. With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives. Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."
