Kids / Family
Three zany puppets bring to life our greatest opera treasures, as Joan Sutherland, the world’s most famous soprano, performs their highlights. The puppets make up the audience: Sir William, a wise old goat; Little Billy, his nephew; and Rudi, a rather boisterous lion.…

As Rosina in The Barber of Seville, Joan’s the rich and elegant ward of a strict guardian. When Figaro, the noisy barber, butts into her love life, all fun breaks loose!
As Marie, found as an infant on the battlefield and adopted by a whole regiment of adoring fathers, Joan falls in love with the brave Tonio.
As Lucy in Lucia, betrayed by her own brother, Sutherland’s a tragic heroine indeed!
As the title character in La Perichole, Joan displays her lively flair for comedy as well as her amazing vocal abilities.
As Violetta in La Traviata, Sutherland’s a beautiful Paris courtesan in love with a penniless young man.
As Marguerite in Faust, Sutherland loves a man who has sold his soul to the devil for youth and pleasure.
In Rigoletto as Gilda, she is in love with the flirtatious and corrupt Duke of Mantua to the despair of her father, the court jester.
In the comic opera Mignon, Joan portrays the exuberant Philine, whose affections are much sought after.
Host / Rosina / Marie / Lucia / La Perichole / Violetta / Marguerite / Gilda / Philine
Billy (voice)

Rudi (voice)
Sir William (voice)

Sarah is a young autistic woman with an extraordinary ability for lyrical singing. She begins taking lessons with renowned soprano Leonor Delise, but there is tension in the relationship. Sarah will learn to turn her silences into emotions; Leonor will have to restore her faith in humanity and reconcile with her daughter. Music will be the bond that transforms their lives.

An exploration of opera in unconventional ways attempting to attract not just existing opera fans, but also those less familiar with the art form. The host guides the viewer to the places of origin of each opera, and explores the culture, history—and modern and current trends and how they apply to opera.

For centuries in western culture, opera has been the greatest show on earth. Historian Lucy Worsley explores how history and opera go hand in hand. She visits the great European cities where some of the most famous operas were written, tells the stories of the colourful characters who composed them, and shows how they reflected the turbulent times they were composed in and the lives, hopes and fears of the people who lived in them. Whilst Lucy visits the cities and European opera houses, Antonio Pappano, music director of London's Royal Opera, helps us understand some of those operas' greatest musical moments.

In 2016, Opera North’s extraordinary journey through Wagner’s Der Ring des Nibelungen came full circle, in a series of six full Ring cycles. Comprising the four operas which make up Wagner’s epic masterpiece, Das Rheingold, Die Walküre, Siegfried and Götterdämmerung, more than 15 unforgettable hours of music and passion are now also available online, in full, for free.

Spanish maestro Rafael Fruhbeck de Burgos (1933-2014) concluded his acclaimed international conducting career spanning nearly six decades with two memorable years as the revered Principal Conductor of the Danish National Symphony Orchestra. Recorded live at Copenhagen's new DR Koncerthuset, Koncertsalen from 2012 to 2014, this exclusive recording combines Fruhbeck de Burgos's powerful interpretation of Ludwig van Beethoven's complete symphonies with his spectacular renditions of Hector Berlioz's Symphonie fantastique and Richard Strauss's Eine Alpensinfonie, as well as Joaquin Rodrigos's popular Concerto de Aranjuez, with world-renowned Spanish guitarist Pepe Romero.

Comte Philippe de Chagny discovers Christine Daaé's singing talent at a county fair and sends her to his friend Gérard Carrière, director of the Parisian opera. However, just when she arrives, Carrière is dismissed. His successor, the arrogant Alain Choleti, refuses to allow a woman of low birth perform in his opera, but graciously employs Christine as gadrobiere for his primadonna wife Carlotta, who's installed as first singer. He also battles the Phantom, an unknown figure in the catacombs below, granted privileges by Carrière. Christine becomes the Phantom's protégé, unaware that her being his muse makes him increasingly dangerous.