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The two Warner Brothers Yakko and Wakko and their Warner sister Dot had been (supposedly) created in the 1930's, but their cartoons were too screwy for the general public to handle. The three Warners were locked up in the studio water tower until they escaped in the 90's. There, they run wild, causing chaos everywhere!

The Armando Iannucci Shows is a series of eight programmes focused on specific themes relating to human nature and existentialism, around which Iannucci would weave a series of surreal sketches and monologues. Recurring themes in the episodes are the superficiality of modern culture, our problems communicating with each other, the mundane nature of working life and feelings of personal inadequacy and social awkwardness. Several characters also make repeat appearances in the shows, including the East End thug, who solves every problem with threats of violence; Hugh, an old man who delivers surreal monologues about what things were like in the old days; and Iannucci's barber, who is full of nonsensical anecdotes.

Ben Harper is a moderately successful family man and dentist. He is also undergoing a mid-life crisis and trying to cope with the bizarre reality of raising teenage children. His wife Susan seems quite happy, enjoys her job as a London tour guide, however at home her ability to find her way around a cookbook or pantry is less successful. Their three children Nick, Janey, and Michael are as different as chalk and cheese. Nick (19) is on his gap year, but doesn't get much further than the sofa or job centre, Janey is as sharp as a tack and 16 going on 25, while Michael is a very bright, computer-nerdish 12 year old who is just discovering girls.

“Otto – The Series” is an unusual comedy format from the early 1990s centred on Otto Waalkes, blending classic crime entertainment with Otto’s distinctive brand of humour. Rather than telling a continuous story, the series combines newly shot sketches featuring Otto with scenes from old Edgar Wallace films. These original sequences were re-dubbed, completely transforming their content. Dialogue that was once serious turns into absurd wordplay, and the originally suspenseful plots are deliberately played for laughs. In this way, Otto effectively “smuggles” himself into the dark world of the Wallace films, turning it into a parody driven by nonsense, running gags, and his characteristic humour. The result is an idiosyncratic mix of crime and comedy, whose particular charm lies above all in its playful use of the original material.

Disillusioned after a long career at Sunshine Desserts, Reginald Iolanthe Perrin endures a midlife crisis and fakes his own death. Returning in disguise after various attempts at finding a 'new life', Perrin gets his old job back and finds nothing has changed. He is eventually found out, and later finds success with a chain of junk shops. However, it becomes so successful that he feels he has created a monster and decides to destroy it.