Comedy / Drama
Follows Ted, an aimless thirtysomething who moves in with his father Marty when he develops a fatal illness. Marty’s health suffers every time the Boston Red Sox lose, so to keep him happy and alive, Ted enlists Marty’s grief counselor Mariana and friends to fake a Red Sox…


Ted Fullilove

Marty Fullilove

Mariana

Blauner

Tango Sam

Eva

Benny

Shticker
Raul

Hector

Umpire
Young Eva

Germany at the time of the economic miracle: the boorish and equally rude Jupp Grapsch has made a small fortune through his bustling activities. His wife Lisbeth, on the other hand, does not feel comfortable with this, but silently accepts the circumstances. Even when Jupp gets involved with the somewhat disreputable Nina Sonntag, an extravagant young woman, she accepts this at first. At some point, however, the situation escalates and Lisbeth slips a slap in the face, which Jupp cleverly wants to use to finally get rid of his wife by divorcing her. But Lisbeth refuses and so Jupp hires an unscrupulous man to create a reason for the separation in exchange for money...

In a Valencian village, during the postwar period, Ana tries to get ahead with her family; the civil war has opened a deep wound in all of them, especially in her brother-in-law, Antonio. Ana tries to heal that wound with stews, secrets and silences, but when Isabel, newly married to Antonio, comes to the family, Ana’s attention and care will be worth little or nothing: the sacrifice does not always have its reward.

Based on a novel by the late Finnish writer Timo Mukka, this simple story focuses on what happens when Milka (Irma Huntus), a girl barely out of childhood, gets pregnant by Ojanen (Matti Turunen) a rustic fieldhand. Her own mother had been hoping to marry Ojanen, and her daughter's pregnancy turns their lives around. Set in the Lapp country of northern Finland, the scenery is breathtaking, made even more so by the isolation of the region. A sense of natural solitude is underscored by a slow-moving dialogue interspersed with long silences, and the connection between nature and the dialogue is underscored as the young Milka recites poetry while out in the countryside. The fate of Milka and her mother, however, is connected to the decision that Ojanen makes at the end.

Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life dressed like a ninja and summoning him for an ingenious campaign of revenge, he follows. After their all-nighter ends and a new day breaks, Quentin arrives at school to discover that Margo, always an enigma, has now become a mystery. But Quentin soon learns that there are clues, and they're for him. Urged down a disconnected path, the closer Quentin gets, the less he sees of the girl he thought he knew.

An unemployed investor creates a fictious business partner to attempt to improve business. Eventually, his creation gets out of control as his business becomes successful and his wife announces that she is in love with the partner and his son wishes the partner was his father -- although no one has ever seen him. To regain control, the man decides to "kill" his imaginary partner and is arrested for the murder.

George Walters is a youth who is dominated by Bleary, a heartless bully, who forces him to pose as the son of millionaire George Warring, kidnapped as a baby. The missing son had a twin brother who had recently died, but a painting of the shadow of the late son is on one wall. Walters' shadow matches this painting perfectly, establishing him as the missing son to the Warring family. Walters falls in love with Warring's daughter Lucia and finds that the family attorney Glaxton is slowly poisoning the old man.

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.