Sheldon Leonard's Wonderful Life

imagine... follows celebrated British TV writer Russell T Davies as he prepares to return as the showrunner of Doctor Who – with two Doctors and bigger ambitions.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.

Shows efforts of the Radio Corporation of America (RCA) in the creation, development and introduction of the all-electronic TV system; explains how science made television a working reality.

Comedian Mark O'Sullivan researches and writes a sitcom about the sexual abuse he survived as a child, and the court case that led to the conviction of the man who abused him.

Flexible, powerful, and naive. The fates of three men intersect at the launch of Czechoslovak television broadcasting. Ambitious actor František Filipovský has no idea that his casual improvisation on the theme of "the miser" will go down in history. For Minister of Information Václav Kopecký, it is a moment of great nervousness: will he convince his comrades that television broadcasting is the golden goose of communist propaganda? A young television technician is fascinated by the "remote transmission of images and sound" – he has a job he never dreamed of. But can a person fulfill their dreams in communist Czechoslovakia in the 1950s without getting involved with the regime?

A portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision. Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term 'documentary film'.

A history of Nazi television programming and technology, from 1935 to 1944.