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RECONQUEST OF THE USELESS, a documentary film which follows the adventures of three young men as they journey nearly 5000 miles through the Peruvian Amazon, searching for inspiration and the legacy of Werner Herzog's classic film Fitzcarraldo & Les Blank's Burden of Dreams thirty years after they were made.

Through the Fondren Fellows program, the Rice Media Center Archive Project has spent the past few months sifting through material stored at the now-defunct Rice Media Center. The team has identified several films as especially notable and will be presenting them in conjunction with documentary footage the team shot of people involved with the films. From lectures featuring Roberto Rossellini and Werner Herzog to films from former Rice students and faculty, the film presentation will tell the narrative of the Rice Media Center through the films and filmmakers that passed through its corridors.

An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..

Created from material developed during "The Thoughts That Once We Had," this short film presents an anthology of 26 scenes from films made between 1904 and 2015, each depicting trains arriving at stations. The sequences are arranged in a serial structure, with black-and-white scenes in the first half paired with corresponding color sequences in the second half, forming a symmetrical visual progression.

A pre-fame Werner Herzog (Adam Ezagouri) is asked to share a flat with a strange new actor only known as Klaus Kinski. Herzog agrees but soon regrets his generous decision as Kinski proves to be one uncanny flatmate. Despite their disagreements, both decide to try and shoot Herzog's own version of Don Quixote, with disastrous consequences.
Still I Strive is a story of transcendence through compassion, unity and hope. At one orphanage in Phnom Penh, Cambodia, the performing arts are the path to healing and transformation. Guided by their matriarch Peng Phan, a renowned actress in her own right, the children aspire to achieve one of the highest honors in Cambodian society, to perform in front of Princess Bopha Devi as a symbol of their culture and heritage. Interspersed throughout the documentary are narrative film sequences featuring the children as actors.