رحمة في القرية العالمية

Like the process of making a baglama, it is the story of people who, despite all the obligations, all the memorisations, all the pressures they have experienced from childhood to adulthood, have defended their beliefs and culture.

PINA is an explosion. The documentary follows PINA—a Brazilian rapper, pedagogue, and poet—who confronts the daily struggles of being a woman in several male-dominated fields. The audience is invited into an intimate, casual, and profound conversation between the rapper and the filmmaker, Alexia Pereira, a director navigating her own challenges in a male-dominated film industry. Always striking the right bpm, PINA reflects the power of women who use rap as a social response.

Elly, a former artist, and Dej', a troubled musician, find themselves locked in a fragile and tense dynamic as they navigate, or rather fail to navigate, the weight of Dej's addiction. On a cold night in the studio, the band find themselves in a familiar, but ever so painful, situation. Dej's constant intoxication and Elly's ongoing denial push bandmates to leave, cause songs to be abruptly cut short by drunken mishaps, and lead to empty promises being tossed around amid incomprehensible antics. Elly must decide whether taking a step forward, no matter who she might leave behind or how difficult that might actually be, is the right thing to do - if there even is, or ever has been, a 'right' thing to do for her. The internal struggle unfurls as Elly's night becomes one that could either mark a new beginning, or bring everything to an end.

Tommy tries to live under his alter ego "Tommy G" after having made a mixtape with his best friend Pelle aka "Little P".

After being tricked by her grandmother, a promising college musician turns to medical cannibalism to overcome her chronic lung condition.

An acoustic concert held by Mika Nakashima in Osaka in 2019

The "KODA KUMI 19TH→20TH ANNIVERSARY EVENT" show from December 6, 2019 (nineteen years since TAKE BACK released) at Zepp Diver City Tokyo.

A data moshed experiment using videos of daily life and textures overlayed with components from older videos creating a personal collage of the last few years.

Breakfast Bastard's self-titled debut album is an audio-visual concept album that combines original music, original / bootlegged video, and visual iconography to explore themes of cultural identity, generational trauma, civic frustration, and nostalgia. The breakfast roll functions as the project's central visual motif: a symbol of indulgence, convenience, and contemporary Irish identity. Musically, the album draws from post-punk, lo-fi pop, techno, and instrumental hip-hop. Some of its tracks include a techno composition featuring Michael D. Higgins thanking artists, an ode to the teenage years framed as a love song to piracy, and a look at the present through fictional romances with inanimate objects, bots, and AI companions.

2003 was a big year for AC/DC which included their induction into the Rock and Roll Hall of Fame to European dates with the Rolling Stones, the band made several high-profile public appearances (including the SARS concert in Toronto for 200,000 people). One run of shows found the band returning to their roots and playing clubs and theaters where fans were treated to sweaty, stripped-down shows and even playing some rarities they hadn't played in years. This DVD show from Munich, Germany was filmed at Circus Krone 2003 and this disc only available on the Deluxe Edition.

The ABC's annual Classic 100 countdown comes to life with a spectacular Concert, celebrating the music that makes us feel good, performed by the Melbourne Symphony Orchestra.