Documentary
In 1988, workers at the 'Busan Working Women's House' study the Labor Standards Act, receive overdue salaries, and take menstrual leave and pre- and post-partum leave. As the subdivided women's movement develops, Busan women also take to the streets to fight against domestic and…

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This is a story that’s never been told. SHOW HER THE MONEY addresses how women are getting less than 2% of venture capital funding and demystifies what venture capital is. Featuring rock-star female investors who invest in diverse women entrepreneurs with innovations that will change the world, Show Her The Money reminds us that money is power and women need it to achieve true equality.
Oh Minwook’s Eternal Brightness, adapted from Jo Gapsang’s novel Eye of the Night, narrates the past and the present lives of the characters who have lived through the contemporary history of Korea, from the Korean War in the 1950s to the Busan-Masan Democratic Protests calling for the Park Chung-hee administration’s Yushin regime in October 1979.

This film shows the work done by the "socorristas" feminist network. Through informative talks and stories about the actions of emotional containment these women have with others who need support, it seeks to eliminate the stigmas on abortions while also bringing out the reality of the clandestine abortion.
On the 1st of February, 2021, Myanmar’s Military launched air strikes against the Karen minority group. The news reminds K of his time in Karyn State 4 years back. K thinks of General Neda who wanted to build a community for Karen refugees, Khun from Thailand and the village children who helped him. He promised to fight for peace when General Neda sang “Wonderful Tonight” for him. Reminded of his forgotten promise, K roams the street aimlessly. Still, time eats away at his memories.

After former members of the Chelyabinsk Feminist Organization (Agitgroup), now known as the Ural Feminist Initiative, began to receive threats from the Union of Maoists of the Urals, the Yekaterinburg “Feminist Tribune” teamed up with the Chelyabinsk feminist community “A Woman Can!” to show what UFI and UMU so desperately want to hide.

The fractures in the reception system of the Spanish State leave thousands of undocumented immigrants on the streets every year when they reach the age of majority. Emilia Lozano, an unwavering activist for human rights and the feminist movement, in her ongoing struggle for social justice, redefines the concept of family for many of them through love, empathy, and solidarity.

“I ask my mother about her past feminist commitment, and why she made a child on her own. She doesn’t answer me. I want to pierce the mystery of my mother. I discover the women’s movement of the 1970s, an activist feminist cinema, and the woman filmmaker that I am changes. I meet and testify to the transmission of a memory of feminist struggles through collective cinematographic practices.” Anna Salzberg