Eternal Brightness

The Lotte Giants is a huge part of Korean professional baseball's history. 30 years have passed since their last win in 1992. Now, they are tired of self-dissing mixed with resentment against the club and players. But, why can't they leave even though they know? Why won't the 'Talde effect' work? Why do they get excited when spring comes? Why are they so sure the win rate will be over 50%? Now here, nevertheless, with fans moving to Sajik Baseball Stadium, the 40-year history of the Giants unfolds centered on former and current Lotte Giants players.

Names of Revolution recalls the memories of those who participated in the struggle to rewrite the history of the “Busan-Masan Democratic Protests,” which has been under-represented in modern Korean history. As the then college students, seamstresses, mold technicians, combat police, workers, bus drivers, advertising planners, and photojournalists pour out their memories from over 40 years ago before the camera, vivid words come to life.

Still and All is a story about the souls living beneath the Yeongdo Bridge in Busan. Yeongdo and its bridge offer a historical space with lingering traces from the Japanese colonial era to the Korean War. The people under Yeongdo Bridge, reconstructed in 2013 after 47 years, are driven to move when the vicinity around it is designated a Special Tourist Zone.

In 1988, workers at the 'Busan Working Women's House' study the Labor Standards Act, receive overdue salaries, and take menstrual leave and pre- and post-partum leave. As the subdivided women's movement develops, Busan women also take to the streets to fight against domestic and sexual violence. Around the same time, female students in Busan and South Gyeongsang Province actively campaigned to create school rules to regulate sexual violence in universities. In 2000, Pusan ​​National University's first feminist festival

Gukdo Art Cinema located in Daeyeon-dong, Busan is one of the most representative cinema in Busan for independent films and arthouse films along with Cinematheque Busan (currently moved to Busan Cinema Center) and Art Theater C+C. Gukdo opened in 2004 in Nampo-dong and moved to Daeyeon-dong in 2008 and has been a home for cinephiles in Busan and nearby areas for the last 10 years. The theater closed its operations on January 31st, 2018 after the building owner had refused to renew its contract. The last month of the theater is recorded in the movie Last Scene.

This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.

Stories about the late President ROH Moo-hyun and BAEK Moo-yun - a man who once lost a congressional election - are intersecting and touching each other. This documentary tells a story about two men that dreamed about living in a country where the people come first.

A documentary about the Korean baseball team Lotte Giants.

On the 1st of February, 2021, Myanmar’s Military launched air strikes against the Karen minority group. The news reminds K of his time in Karyn State 4 years back. K thinks of General Neda who wanted to build a community for Karen refugees, Khun from Thailand and the village children who helped him. He promised to fight for peace when General Neda sang “Wonderful Tonight” for him. Reminded of his forgotten promise, K roams the street aimlessly. Still, time eats away at his memories.

After he leaves the police force, Dae-ho establishes himself as the sheriff of his town. He then investigates Jong-jin, a businessman, because of his alleged ties to drugs.

So-yeon, who has been studying in Paris for several years, returns to Seoul for summer vacation. She is drawn to Min-hwan, a divorced man whom she met in Paris, but Min-hwan is non-committal and ambiguous about his feelings toward her. Soyeon meets a new guy, Hyun-jae, who is deeply into her, she Soyeon still waits for Min- hwan`s call. She laboriously travels from Seoul to Busan, lugging around her luggage, just so that she can see Min-hwan. After the vacation is over, So-yeon returns to Paris. Even with a full package of beauty and intelligence, So-yeon has no place of her own. In Korea that is familiar but unfamiliar land to her, she spends the summer in bearing her feeling, which is not too hot, yet not negligible. Before the Summer Passes Away is the film about loneliness and longings: it is too shy to roar, too powerful to hide. With minimal narrative, the film shows a close observation on So-yeon`s sense of lose at the edge and her unending desire.