Ela Só Pode Estar Afim

Join Karen Dunbar for an amazing night of side-splitting comedy. Karen is one of Scotland’s most recognisable comedy performers ever, from her breakthrough on Chewin’ the Fat to her success with The Karen Dunbar Show. Her stage career spans everything from Glasgow pantomime to London’s West End, and now she is taking on stand-up comedy in her hometown. This year has seen Karen out on the road with her brand new show, and she is bringing it back to Ayr for one more sold-out night. From delving through her experiences growing up in the 80s to hosting wild karaoke nights in Glasgow in her 20s and revisiting some of her favourite characters, this is Karen like you’ve never quite seen her before.

Sam and Tusker, partners of 20 years, are traveling across England in their old RV visiting friends, family and places from their past. Since Tusker was diagnosed with early-onset dementia two years ago, their time together is the most important thing they have. As the trip progresses, however, their ideas for the future clash, secrets come out, and their love for each other is tested as never before. Ultimately, they must confront the question of what it means to love one another in the face of Tusker’s illness.

Abandoned after coming out, Shun befriends Mio just before he has to move. Years later, Mio returns with a confession. How will Shun feel?

A film crew is shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused of a robbery. One of the earliest films portraying bisexual characters.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.

Follows the adventures and love lives of high school students. Fuse is a gentle and sensitive boy who is heartbroken because of his girlfriend who cheated on him, so he tries to get over her by getting drunk with his friends at a party. There he meets his friend Tee and ends up sleeping with him that night. How is he going to cope with his new feelings for another boy, and just how many boys who struggle with the same feelings are there at his school?

On a strange night, Sarah falls in love with Letícia. This love transports her through a nocturnal city, full of violence, mysteries and desire.

The four vampires tired of living try different ways to die, but they cannot. While pondering the last hypothesis that'if you sleep with a vampire, you die', Jong-su declares that he will sleep with Sun-a.

Jenn and Matt are best friends from college who are now in their thirties. Single by choice, Jenn spends her days teaching hot yoga and running errands for her boss. Matt suffers from comic-book writer's block and can't get over his ex-boyfriend. They decide to fulfill a promise to have a child together... the old fashioned way. Can they navigate the serious and unexpected snags they hit as they attempt to get their careers and dating lives back on track in preparation for parenthood?

Sara loses her parents, which forces her to go to a corner of prostitution,where she meets Marcela, a transgender woman. When Marcela finds out that Sara is a virgin, she decides to protect her, knowing it will get her into trouble with her bosses if they find out.

Never too late to find love with a stranger you meet out of nowhere.