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Ibu
bapak becak
Ibu Pengurus
Bapak Pengurus
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree. In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death. Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
In Presidio, Texas, it is customary to hear Norteña music, typically Mexican, in the bars of the city. John Ferguson, american, governs the 4,426 inhabitants of the small town, is the principal of the city high school. As mariachi, John and Mariachi Santa Cruz also play in nearby Ojinaga, Mexico, distant the Rio Grande river from Presidio. The need to understand the history that binds Mexico to the United States, during one of the periods where the thread that weaves them seems to have become tangled. Viva Presidio! tells the story of a man whose ethnicity represents 2% of the population who voted to elect him, of the affection for his city and of the walls and customs in a reality where, the real cultural accents,represent an element of union between two communities in conflict today.
Vincent grew up in a violent surrounding, his own family. After a new family feud Vincent decides to call the police but is taken to a youth center unintentionally. There Vincent beats up the director who touched him improvidently. It seems that violence looms large in Vincent's life. Then he meets Butterfly, a diffident young boy who collects butterflies to bear his parent's death. Vincent gets curious about the butterfly boy and tries to empathize. Step by step Vincent gains the friendship of butterfly. But one day his mother reappears to tell him he is not wanted at home anymore. Vincent is stunned. All of a sudden his feelings burst out and he beats up his defenseless roommate: Butterfly.
