Paris ABC

Filmmaker Julia interviews people who photograph sunsets. During filming, a man demands that she deletes the pictures of him. When she refuses, an argument ensues.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.

By the end of the weekend, nothing has truly changed. Ekin remains the same, the Anatolian side of Istanbul remains the same. Set in 2020s Istanbul, the film follows Ekin, a young adult living with his mother whose days revolve around searching for a place to live, at least as he tries to believe. As childhood memories, friendships, and new encounters linger in the streets, anxiety quietly grows, and after sleep, life resumes exactly where it left off.

Issa, a footballer from Guinea-Bissau who plays in Portugal, is contacted by two filmmakers who want to know more about his life and make a documentary. Exposing the voices behind the camera, Nha Sunhu is a reflection on the gaze, bias, and representation of the other.

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

Tinskani mourns the death of his friend and mentor, Salvador. His partner, Citlali, urges him to attend the funeral with her, but Tinskani is haunted by the photograph of his friend's corpse. He'd rather wander through the town’s carnival, camera in hand, seeking to replace that ghostly portrait with new ones.

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Aya grows up with her mother on the island of Lahou. Joyful and carefree, she likes to pick coconuts and sleep on the sand. However, her paradise is doomed to disappear under the waters. As the waves threaten her house, Aya makes a choice: the sea can rise, but she will not leave her island.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

In a follow-up to his 2021 short, SUMMER, Liam once again spends the duration of a summer filming, editing, and releasing a single shot every day. Things have changed or have they?

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.