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After Dan Brown's publishing phenomenon The Da Vinci Code was cleared of plagiarism charges, this documentary explores the climate which has permitted a fictional story to make such an effective challenge to conventional history that it has forced a counter-attack from the Church, the art world and academics. Has Brown cracked the most difficult code of all our 21st-century cultural DNA?

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.

Frida Kahlo began to paint in 1925 while recovering from a streetcar accident that left her permanently disabled. Many of her 200 paintings directly relate to her experiences with physical pain. They also chronicle her turbulent relationship with artist Diego Rivera. Today Kahlo's work is critically and monetarily as prized as that of her male peers, sometimes more so.

At the Creedmoor Psychiatric Center in Queens, New York, Dr. Janos Martin helps treat patients with severe mental illness by encouraging them to express themselves through art, whether in paint, sculpture, or collage. In vivid imagery, brilliant close-ups, and delicate conversations, director Jessica Yu presents the intricate, often visionary, work of these nontraditional artists, allowing the patients to describe their approaches and processes in their own, sometimes tangled, words. With patience and calm resilience, Dr. Martin offers feedback and ideas for best methods to the individual artists, who sometimes scream or are in tears, as he helps them displace their frustrations, and demons, onto canvas. Seen as a collective, these works illustrate the fine line between creativity and distress and illuminate the healing power of expression.