Kino Kopf

Wunsch zwei(2) is not about nightmares or fear, it’s about love. It’s is a coming of age. It’s wunschmaschinen. This short film was shot between summer 2022 - fall 2024, distributed in different cuts.

On a graduation trip to sunny Spain, Layla struggles with the pressure of her art school admissions, while Naomi is haunted by calls from her mother about her future plans. Their growing bond culminates in a drunken kiss that unleashes unexpected feelings.

A strange woman arrives from the North to a prehistoric village bringing some bad news...

Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.

In the Future They Ate From the Finest Porcelain resides in the cross-section between sci-fi, archaeology and politics. Combining live motion, archival images and CGI, the film explores the role of myth for history, fact and national identity.

Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

Socially awkward Muriel Heslop wants nothing more than to get married. Unfortunately, due to her oppressive politician father, Muriel has never even been on a date. Ostracized by her more socially adept friends, Muriel runs into fellow outcast Rhonda Epinstalk, and the two move from their small Australian town to the big city of Sydney, where Muriel changes her name and begins the arduous task of redesigning her life to match her fantasies.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A claymation short. Mo makes an "anti-worrying" home video for her mum, to stop her from making mollycoddling phonecalls.

Bad Indian – The Villain Origin Story, is a coming of age comedy-drama about Abbey, a young woman from Croydon. When Abbey lies to her strict Catholic Indian Mother about her rejection from Cambridge University her only method of escapism is to have one memorable night at the infamous Tiger Croydon’s A-Level Results Party. But what happens when the truth she's been running from violently slaps her in the face.