El musical de los 80s y 90s. La película

The title character of this somewhat bitter comedy is Klára Zárubecká, a saleswoman at a train station buffet, a resolute and energetic woman who, with enviable enthusiasm, attempts to restore her family's reputation and thus ensure a happy future for her younger brother. In her everyday life, when Klára forces her customers to buy kittens, rejects a persistent admirer nicknamed Funebrák, and saves money for a large, albeit somewhat neglected villa, her stepbrother Fanda arrives with his girlfriend Erika, and her stepfather Viktor arrives with his mistress, wanting to borrow money from her, as he has done so many times before.

In a dark and stormy night, Raimundo's car suffers a breakdown, so he and Gregorio, his chauffeur, must try to ask for shelter in the only nearby house, a sinister mansion, of those that seem inhabited by ghosts.

Elena invites her former husband Roberto to her country house with the aim of winning him back while her sister Monica invites her lover Filippo.

A romantic melodrama

David McVicar’s powerful Royal Opera House 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role.