Drag Queens em Cena: A Expressão de Almas Artísticas

System (2025) is a short documentary film exploring intergenerational connections to land and country. Interviews with Aunty Denise Morgan Bulled, a Yorta Yorta Elder; John Toll and his family, fourth-generation farmers in Gunbower wetlands; and two Local 10 year olds, Harry and his friend Mac. The film reflects on how the river system shapes their daily lives, impacts their quality of life, and influences their passion for country.

Shot in a single day, POSERS captures a thriving subculture in Kings Road, London: the style, music, and expression of the New Romantics.

“Balance of Life” is a film about life’s and human kinds’ fight to find the balance between our own evolving life style and the nature of the planet we inhabit. The human race is drifting further and further away from its real roots and from what being a human is really about. The speed of development has increased to a state where humans have a hard time keeping up. We find ourselves in a situation where both our own and the planets’ wellbeing is severely threatened. As a last resort human is relying on faith to find the balance. Is faith the last defense of man or is this world guided by forces greater than us? Is this force God, evolution or just the mere sum of coincidences that formed the universe, the natural order and laws of physics?’ Watch it here (https://vimeo.com/51203265)

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.

Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.

The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.

A custom car photographer, along with a talented metal flake painting artist, Alejandro Minissale, tour workshops, artists' studios, and custom events in Argentina with a single purpose: to promote this lifestyle that encompasses the world of American cars, as well as motorcycles, tattoo artists, illustration, memorabilia collecting, musicians and others.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

A TV-hour length documentary film depicting the relationship between language, culture, place, music, tradition, and magic on an active volcano, in the Pacific nation of Vanuatu, on the island of Ambrym.

The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.