We Iranian Women

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted— but in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

The injustice of the Japanese internment is explored through the story of Kyuichi Nomoto, one of the first Japanese Canadians to graduate from UBC, who suffered a breakdown deep in the BC Interior.

An exploration on Paz's poetry by Paz himself, his childhood, his ideas about love and the nature of art

In the tendency to assume that science-based conclusions are objective and reliable, public health tragedies are allowed to occur repeatedly.

A discontented housewife self-medicates as her husband assumes control of their daughter's engagement preparations.

"The Most Dangerous Man in America" is the story of what happens when a former Pentagon insider, armed only with his conscience, steadfast determination, and a file cabinet full of classified documents, decides to challenge an "imperial" presidency – answerable to neither Congress, the press, nor the people – in order to help end the Vietnam War.

A young city girl explores the idea of beauty with her uncle Michel, a retired farmer from the Beauce region. An amusing and touching encounter between two visions of art and the world.