Documentary
The Indigenous peoples of northern British Columbia still hunt and fish, using a combination of traditional ways and modern equipment and techniques where appropriate. Lumbering and trapping bring them money and goods. Their traditional arts and crafts, however, remain…

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Since colonial times, the indigenous people of the Andean mountains have ascended to peaks that reach 5,200 meters above sea level. There, they crush gigantic blocks of ice that carry on their backs to sell them later in the fairs of Riobamba and Guaranda. The film shows the living conditions of the communities that live from this activity.
Juskatla weaves together perspectives of the people who live on the islands of Haida Gwaii-an archipelago on Canada's Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People's territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.

In 1995, the Chilean state made a grave mistake when it detained Marcelina (68), an Indigenous spiritual authority, a machi of the Mapuche people. The police stripped her of her jewelry and traditional clothing and sent her to a men’s prison despite her identifying as a woman. She was unjustly accused of murdering a patient through witchcraft, triggering feelings that led her to leave her community, even after her innocence was proven. Thirty years later, Cons (34) delves into her story—into a world foreign to her—confronting lessons and prejudices she had never known.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Seas the Day: The Sailing Movie is a genre-defying documentary that blends real-world adventure with deeply human storytelling. It transcends typical sailing documentaries by blending docu-fiction with a narrative inspired by Joseph Campbell’s classic The Hero's Journey. Directed by Ryan Luskin, an anthropologist and teacher, the film follows his family's quest across sixteen countries, learning life skills from diverse cultures.

In 1974 a group of Mohawk Indians occupied a defunct girls camp in New York's Adirondack mountains and established a community they called Ganienkeh. Aiming to practice a more traditional lifestyle, and asserting aboriginal title to the land, they stayed for three years, having occasional violent clashes with the local residents. In 1977 they negotiated a (somewhat complicated) land swap with the State, and agreed to move to a permanent home near Plattsburgh, New York, where they remain today. Ganienkeh is one of the only examples of an indigenous people successfully reclaiming land from the United States, but it may not be the last.
Documentary about the life of three families living in the city of Boa Vista, north of Brazil. Some of them look for a more intense daily life going to parties, work and dealing with family trouble, others want to get back to the tribe. Personal crises and the search for their own identity are aspects that reveal great relevance.

In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.

The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
Set against the stunning backdrop of northern British Columbia’s wilderness, Wədzįh Nəne’ (Caribou Country) takes viewers on a contemplative journey through a rugged and remote landscape. Along the way, we meet those who live and work on the land – First Nations guardians, government biologists, and guide outfitters – each confronting the stark reality of declining caribou populations. This meditative film explores the profound connection between people and nature, and the enduring impacts of modernity on an ancient species.