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Documentary
In 1995, the Chilean state made a grave mistake when it detained Marcelina (68), an Indigenous spiritual authority, a machi of the Mapuche people. The police stripped her of her jewelry and traditional clothing and sent her to a men’s prison despite her identifying as a woman.…
Cast
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In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.
In an Amsterdam gym for queer people, three individuals confront doubts about their belonging. David, often read as straight due to his style and body type, feels undesired and questions if he “counts.” Qianyu, nonbinary, struggles with invisibility as queer nightlife favors cis gay men, and past health issues make joining the gym daunting. Barbara, 67 and bisexual, wonders if she still belongs after past rejection by parts of the lesbian community. Through candid conversations and colourful, sometimes absurd fictional scenes, their insecurities and longing for acceptance are explored. Ultimately, the gym becomes a space of vulnerability, solidarity, and self‑realization, helping them see that they are indeed “queer enough.
Matimekush is landlocked in the former mining town of Schefferville, 700 km north of Sept-Îles. It was founded in the 1950s, when the Canadian government and Iron Or forced the Innu to settle down. In Canada’s Far North, there is a dire labour shortage. At Kanatamat School, the heart of the community, most of the high school teachers are from Africa.
María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.
Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
