Herself
Herself
Herself
An intimate discussion film, Self-Loving is a unique cross-cultural statement about female sexuality, focused around masturbation. Filmed in both city and rural settings, the eleven women of gay, bi-sexual and heterosexual lifestyles Share their early experiences, current patterns, use of vibrators, fantasies and orgasmic patterns. Specifically a film dealing with women's feelings and experiences of masturbation, it is a positive, in depth statement about women's Sexuality.

Dr. Wardell Pomeroy demonstrates the sex history-taking procedure integral to therapy and research. A key factor is the order of questions asked and his non-judgmental approach. Using a rapid notation system, Dr. Pomeroy condenses into a single sheet the equivalent of 25 typed pages. For training therapists and counselors in interviewing techniques

In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
This documentary tells the story of three grandmothers who earn a living as prostitutes. Christel, Paula and Karolina either work in their own apartment, in a brothel, or receive clients at a dominatrix studio. They have no desire to justify what they do, nor do they make a show of their profession. These three women are engaged in a constant merry-go-round of slipping into different identities, selling dreams and trying to manage their own private life. Their multifaceted personalities make it clear just how differently they go about their trade, and what made them choose to earn their bread as a sex worker. The film provides an insight in to the lives of Christel, Paula and Karolina and their sometimes surprisingly middle-class routine.

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.
This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.