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An intimate discussion film, Self-Loving is a unique cross-cultural statement about female sexuality, focused around masturbation. Filmed in both city and rural settings, the eleven women of gay, bi-sexual and heterosexual lifestyles Share their early experiences, current patterns, use of vibrators, fantasies and orgasmic patterns. Specifically a film dealing with women's feelings and experiences of masturbation, it is a positive, in depth statement about women's Sexuality.
Dr. Wardell Pomeroy demonstrates the sex history-taking procedure integral to therapy and research. A key factor is the order of questions asked and his non-judgmental approach. Using a rapid notation system, Dr. Pomeroy condenses into a single sheet the equivalent of 25 typed pages. For training therapists and counselors in interviewing techniques
In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
A plea for the liberation of female sexuality in the 21st century. The film questions millennial patriarchal structures, as well as todays omnipresent porn culture. It accompanies five extraordinary women around the globe, reveals universal contexts and shows the successful fight of these courageous women for a self-determined female sexuality and an equal, passionate relationship between the sexes.
Even now, in times of an ubiquitous sexualisation of everyday life, the female orgasm continues to remain a mystery. In the documentary essay LA PETITE MORT, women of different ages and with different sexual preferences share how they experience orgasms, describe what it feels like and open up about a failed climax. Removed from pornography and excessive eroticism, they open up in indirect conversation with director-narrator Annie Gisler, who illustrates the sensual narratives of her protagonists with poetic, abstract and metaphorical images. Driven by the desire to overcome taboos and expectations that still overshadow female sexuality, the young Swiss filmmaker provides a sensitive and humorous examination of feminine intimacy in all its multifaceted richness. A dialogue among women, for women. And men.
This fun and witty documentary feature seeks to answer the decades-old question of whether the G-spot (named after German gynecologist Ernest Grafenberg) is a myth or reality. The film also tackles the question of its location within the female genitalia. Sparked by a study written by Andrea Burri (King’s College, London) in which she denounces the physical existence of a G-spot, narrator Ségolène Hanotaux sets out to interview numerous authors, citizens, subject experts, geneticists, and therapists about the subject matter thus sparking a renewed interest in this debatable arena.
