Tahalra

Immigrated to the Paris region since 1964, Kader decides to spend the summer holidays with his family in his native village, not far from Algiers. These few weeks, so eagerly awaited by both sides, constitute a special moment full of strong emotions. The camera follows the family in their meetings, their reunions, their difficulties, their visions of the country and its region, the celebrations, the weddings, their return to France… This film raises many questions. Within this family itself, between those who stayed in the country and those who emigrated to France, how do we perceive the situation in Algeria? What hopes do each of them have for their country? What about the Franco-Algerian relationship? Contemporary immigration? The desire for exile of Algerians today? Different discourses on both sides of the Mediterranean? The desires of each of them…

The two brothers Jean and Pierre Ravier have opened almost all the "classic" (difficult) routes in climbing and mountaineering in the Pyrenees. Roped together at the waist using a few flat knots and little equipment, the two twin brothers achieved more than 200 firsts across the entire massif. A unique style and commitment, a state of mind made up of adventure, literature, inventiveness and friendship. Unclassifiable and outgoing, after 60 years of Pyrenees, their desire for the mountains is intact. When does a race start? How does the idea, the desire, come about? What sense does it make to only achieve firsts? And what is the role of the Pyrenees themselves in this reciprocal and endless game of attraction?

The story of the ascent of the Aiguille de la République by mountaineers Jacques Fromentin and Michel Bastien. The Aiguille de la République, in the Mont-Blanc massif, culminates at an altitude of 3,305 meters among the Aiguilles de Chamonix group of summits. In the Fontainebleau forest, children learn mountaineering techniques on the bouldering climbing site. In 1954, rock climbing was also practiced in the Chamonix valley. The Montenvers train crosses the viaduct taking tourists or athletes to the Mer de Glace viewpoint. The two climbers take an approach step and reach the Envers des Aiguilles refuge. They then climb this steep and smooth wall, progressing along the ridge. On the platform, a rope throw allows them to climb up and sit at the top to dominate the panorama. Then the return: abseiling from the summit block.

Three years after the 1959 expedition, abandoned 350m from the summit, Lionel Terray leads a new assault on Jannu, one of the most demanding peaks in the Himalayas. At the base camp, equipment and food rations are prepared. The conditions are optimal and the ascent can begin. The camera follows the progress of the mountaineers and Sherpas as closely as possible, from one high-altitude camp to another: installing fixed ropes, progressing over crevasses, in the middle of frozen towers, vertically down immense ice falls or along the edge of sharp ridges. From 7000m, oxygen bottles become essential, as the difficulty of the climb prevents acclimatization. The expedition is a total success: the majority of its members reach the 7710m summit.

Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.

The complete 2011 REEL ROCK Film Tour: Six astounding short films covering every style of climbing on the planet. Starring Tommy Caldwell, Dean Potter, "Sketchy" Andy Lewis, Ashima Shiraishi, Will Gadd, Kevin Jorgeson, Corey Richards, Obe Carrion, Sean Leary, Tim Emmett, Simone Moro, Denis Urubko, Hans Florine, The Huber Brothers, and more.

The latest groundbreaking films from Big Up Productions and Sender Films. Featuring Yuji Harayama, Daniel Woods, Hazel Findlay, Emily Harrington, Ueli Steck, Simone Moro, Melissa Arnot, Adam Ondra, and Chris Sharma. Action, humor, controversy, and inspiration in some of the most breathtaking places on Earth, including the mysterious spires of Borneo, the towering faces of Morocco, and the thin air of Mt. Everest.

From death-defying speed link-ups of the wildest faces in the Alps, to Olympian displays of strength and tenacity on the hardest boulders ever climbed, Reel Rock 2010 features a breathtaking journey through the vertical realm with the heroes of rock and snow.

In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities

1967: Two of the world's best climbers, Yvon Chouinard and Royal Robbins, tackle the west face of Sentinel Rock, an iconic 2,100-meter granite peak located in Yosemite National Park, considered one of the most difficult in the world. The film's atmosphere is immersive, driven by a sober narrative that highlights the intimate relationship between man and the wall. The technical difficulty of the route, the prolonged physical effort, and the isolation reinforce the heroic dimension of this ascent. The documentary also reveals the essential solidarity between the climbers: each progression requires rigor, inventiveness, and total trust in both the equipment and the partner. This film is considered a benchmark in the history of mountain cinema. It testifies to the pioneering spirit of the era and the evolution of climbing techniques, perfectly illustrating the transition to a more athletic and thoughtful approach to large rock faces.