Documentary
A short documentary capturing the protests in Tbilisi, Georgia, in May 2024. As the ruling Georgian Dream Party passed the "Foreign Agent Law" restricting foreign NGOs, demonstrators took to the streets, marching, singing, and dancing in defiance. The film follows their…

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A "life without work" - this is the idea propagated by the "Anarchist Pogo Party of Germany" (APPD). In order to spread its unique political concept and to make the background to its activities appear transparent and credible to the voting public, the APPD commissioned a renowned film production company to create a loose mixture of subliminal propaganda and sympathetic trivialization. The film was also to focus on the glorification of the APPD politicians appearing in the election campaign in order to create the basis for a profitable cult of personality. A film that makes it crystal clear, compelling and, of course, intentional that the mob is on its way to power.

In their early years, SNFU built an audience across North America through energetic live performances and a dynamic punk sound. Their 1985 debut album ...And No One Else Wanted to Play has remained influential in underground circuits. They grew in popularity following two further studio albums, but disbanded in 1989 due to internal tensions. SNFU reformed two years later, however, in a second incarnation which found greater success. They signed with the prominent indie label Epitaph Records, achieved six-digit record sales and toured in support of larger groups. They became independent in 1997 after the expiration of their contract with Epitaph. They again disbanded in 2005, only to reform two years later.

This is a documentary of interviews with music journalists and Jam fans, and including clips from the following tracks: Town Called Malice In The City All Around The World The Modern World A Bomb In Wardour Street David Watts Down The Tube Station At Midnight Eton Rifles Going Underground That's Entertainment, ... Plus More

A young student heads back to his village during the COVID-19 lockdown to collect ethnographic material for his thesis, but as quarantine stretches on, the rituals and everyday scenes he records start bringing back childhood memories-leading him to piece the footage together into something more personal.

Metzer 58 play Punk. They were founded in a meet-up at Lebenshilfe Münster, an NGO that provides housing and other services to people with disabilities. The band consists of disabled people and able-bodied people. That doesn't really affect the topic of their songs or the amount of chaos and excess at their gigs, though. In this documentary, director Tobias Stiegler follows the band on tour and paints an intriguing portrait of Metzer 58

The Shrimp is a lush visualist's documentary that follows the life cycle of a shrimp along the marshes of Savannah, Georgia. Beautifully etched images and a canny audio soundtrack create a rich observational work about Southern culture, human folly and the interplay of natural and built environments.

An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.