Mattia Torre. La gentilezza del faro

Parikka, the actor once called the Funniest Man in Finland, and his troupe are about to be executed for the atrocities committed during the Civil War in Finland. Jaeger Lieutenant Nyborg, an admirer of Parikka, suspects a definite miscarriage of justice. He wants to save the actors. The forthcoming visit of the German General von der Goltz to the prison island provides him with a suitable opportunity. Nyborg suggests that the actors prepare a comical performance for the visitor and not be shot. Instead, they will be given a new trial. Preparing a comedy in the horrible circumstances, in the midst of hunger and death, seems quite an overwhelming task. Only a handful of real actors are still alive, the rest of the troupe consists of stagehands. Parikka has to use all his inventive skills to be able to produce something funny.

When an Italian gangster plans to sabotage the taste of Swiss chocolate, a special task force is put together to avert the impending disaster.

Balgar is a brand known among the 10-18 age group, almost 100%. Balgar is a peculiar subculture phenomenon that in less than five years managed to become a favorite of tens and even hundreds of thousands of teenagers. And now come down from the computer to conquer the big screen. The first Bulgarian full-length animated film from more than 40 years. The first Bulgarian independent animated film. The first Bulgarian 3D Stereoscopic Movie.

On opening night of a play about addiction and rupture, three actors confront a secret romantic conflict they have long kept hidden. When a betrayal is exposed onstage, the line between fiction and reality shatters, turning the performance into a real confrontation that threatens to destroy everything.

Stories about life and death during the Day of the Dead season.

Patty is looking for new emotions and a stable job, but ends up causing hilarious disasters, often ignoring the advice of her older sister Tina, a career woman.

Marcelo, a deaf and LGBTQIAPN+ youth grieving the loss of his father, finds in a theater group with young deaf artists a possible path to transform his pain. Communicated entirely in Brazilian Sign Language (LIBRAS) and conceived from an aesthetic that prioritizes accessibility.