Travel Portraits: Ivory Coast - Wax

A domestic comedy about the McGinis family—husband Aloysius, wife Clarice, daughter Julie, and housemaid Belladonna. The simple story lines often parody society's concern with material goods as an indicator of social standing, but the series was not as narrowly focused as the title implies. The Joneses were the McGinis's neighbors, but were not depicted. They were referred to as objects of envy, with whom the McGinis family was "trying to keep up." In this film, Pa McGinis decides to buy a new hat.

This brief animated film was designed to promote the remodelling of old clothing as part of the World War II effort.

Gooré and Kalou maintain a deep friendship. The first is a talented drummer, while the second excels in the art of dance. One day, during a hunting trip, Gooré, through an unfortunate combination of circumstances, accidentally takes Kalou's life. Despite the negative result of the Zri, a traditional test supposed to establish the guilt or innocence of an individual and from which Gooré emerges unscathed, the villagers accuse him of having murdered his friend out of jealousy. Determined to clear his honor, Gooré then made a radical decision: he entered the Second World War. According to tradition, his return alive from the front would constitute irrefutable proof of his innocence.

A man, dedicated to his family, discovers what the true meaning of love is as he embarks on a horrific journey through the wilderness.

A cashier at store reconsiders his perspective on the importance of clothing after meeting special customers.

While Aya has dreams of becoming a doctor, her two best friends, Adjoua and Bintou, just like to hang out and spend their evenings dancing, drinking and flirting with boys. Their ambition is to follow Plan C: Combs, Clothes and Chasing Men! But big trouble comes to town when Adjoua realizes she’s pregnant, and the baby’s father is the spoiled son of one of the richest and most feared men in the whole country.

Out drinking one night after a fight with her boyfriend, three men brutally rape Sarah Tobias in a bar while people watch and cheer. District Attorney Kathryn Murphy takes the case; however, she allows the rapists to receive a mild sentence. A distraught Sarah decides to seek punishment for the men who witnessed and encouraged the rape. To get justice, Sarah must take the stand and revisit the night of her attack.

A woman with a taste for expensive clothing has four nightmares. An impoverished disabled girl sells her hair, a trapper finds he has an unfaithful wife, the wife of a dying weaver finds she cannot work the loom, and a model harassed by her boss is driven to murder.

Today, few people's clothes attract as much attention as the royal family, but this is not a modern-day paparazzi-inspired obsession. Historian Dr. Lucy Worsley, Chief Curator at Historic Royal Palaces, reveals that it has always been this way. Exploring the royal wardrobes of our kings and queens over the last four hundred years, Lucy shows this isn't just a public fascination, but an important and powerful message from the monarchs. From Elizabeth I to the present Queen Elizabeth II, Lucy explains how the royal wardrobe's significance goes far beyond the cut and color of the clothing. Royal fashion is, and has always been, regarded as a very personal statement to reflect their power over the reign. Most kings and queens have carefully choreographed every aspect of their wardrobe; for those who have not, there have sometimes been calamitous consequences. As much today as in the past, royal fashion is as much about politics as it is about elegant attire.

The American woman is the best dressed woman in the world. This is due to Yankee ingeniuty, which makes a fashionable, well-made dress to sell for twenty dollars or less.

In the town of San Antonio in Guerrero, Mexico, lives my mother, Amelia, a 60-year-old woman who leads a quiet life on her ranch, tending to the land and her husband. With the arrival of Holy Week, she is joined by my niece, Rosario, her granddaughter, whom she teaches about religious traditions. Their encounter quietly evokes questions about the role of women in my town. Despite the generational differences, they see themselves reflected in each other and share a deep desire to transform our destinies.

In this performance film, the filmmaker presents herself as a naked and clothed being who dances to music from the sixties, puts on different outfits and has lots of fun.