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Two rival artists at Sivadas Swamigal's drama troupe compete in everything they do. While one of them goes on to become successful, the other fails in life.

"Man Hastam" is a unique adaptation of the Ferdowsi's tragic drama "Rustam-o-Sohrab". The play opens with Shah of Turan, Afrasiyab who is guided by the Prophet Paisgoh in an attempt to retain his throne. Raised in darkness, Sohrab is unaware of his genuine lineage and turns into a soldier looking for his father, whom he believes to be the finest of all warriors. Under Paisgoh's direction, the Shah stages a fight between the legendary Persian hero, Rustam, and his own son, Sohrab, both unaware of their relationship. Themes of manipulation, destiny, identity, and the terrible might of war are investigated in the play. It explores the human cost of political scheming and the terrible effects of misinterpretations. With its deep emotional resonance, "Man Hastam" is a meditation on the inevitable clash between personal honor and the manipulative forces that drive individuals to conflict.

The story revolves around three characters Hasubhai (Siddharath Randeria), his daughter Kajal (Leena Shah) and his Manager Rasik (Ashish Bhatt). Having a typical Baniya mentality, Hasubhai wanted his daughter Kajal to marry his employee Rasik. However, Kajal is in love with an Ad film Maker. The laughter ride begins when Hasubhai and Rasik take the challenge to induce Kajal for marriage. Will Hasubhai and Rasik win the battle? To find out, watch this breathtaking humorous play. Starring: Siddharth Randeria, Ashish Bhatt, Sachi Joshi, Leena Shah, Rahul Patel, Suraj Vyas,Tanvi Abbas, Himanshu Upadhyay, Mulik Pathak, Krupa Chandera, Yatin Parmar Directed By Siddharth Randeria

Stage actress Valerie Stanton is locked in a bitter feud with her producer and ex Gordon Dunning. When he attempts to blackmail her into remaining under contract with his company, Stanton, in a fit of passion, clubs Dunning with a statuette, killing him. Her gloves have prevented fingerprints but her perfect alibi quickly unravels as Captain Danbury begins investigating.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

A raucous, angry exorcism of relationships and assorted fears, shadowed by the Big One: the plague of AIDS.

When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.

Sofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.

In Naples, where the modest clerk Michele Crispucci lives with his daughter Assuntina, his ex-wife arrives with her circus. The young Concettino confides to a friend that he wants to give up his marriage to Assuntina, because twenty years earlier the girl's mother had abandoned the family and become rich by giving herself to wealthy lovers.

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.