Sempre le stesse cose

Audio Caña, an old farmer in rural Venezuela, believes there is a giant alligator living in his pond. With his family's help, he's determined to prove its existence to his friends who are often dissuaded by his exaggerated stories.

The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.

Amanda’s perspective on her hometown changes drastically when she discovers that the simplicity and memories in Neves have shaped her true home.

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.

"Well, I believe in anarchy! And I believe it will come true one day." That's what "May the Rebel," a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang "Hymn to Anarchy" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.

Everyone knows Aguigui Mouna, the jester who harangues the crowds on the Beaubourg esplanade in Paris and rides his bicycle through demonstrations. But many don't know the story of André Dupont, a Savoyard raised in tough conditions, forced into violence in the navy to rise to power and into resourcefulness in civilian life to survive. Antibes, 1952, the transformation: Aguigui Mouna is born. Laughter, solidarity, non-violence, humanism—Mouna has found the meaning of his existence. He will try to share them with all the robots of this "poop-pee-capitalist" society. A comic book character who, through his adventures, reveals the absurdities of his century.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

How have the changing views on children been reflected in their representation in art? From Baby Jesus to the first photographic portraits, an exploration of six centuries of art history through the prism of childhood.

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.