Drama
After the passing of her beloved uncle, Alma, a practical yet nostalgic Boston nurse, returns to Italy to reconnect with her estranged family and their ancestral villa. As she rediscovers love, loss, and legacy, she must decide whether to fight for her family's home or let go of…


Alma

Veronica

Gianna

Carlo

Lennie

Bianca

Danilo

Giorgio

Rosa

Nico

Rita
Lorenzo

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Following political upheaval, traditionally poor countries have stopped exporting raw materials. The Western world is entering an economic crisis, which is rapidly spreading to Norway. Unemployment rises sharply, and it becomes more difficult to obtain food. The government does not officially acknowledge the crisis, but fear spreads among the population. Demonstrations between the population and the police are now a daily occurrence. Thomas and Vera are also unemployed. The only way out of their predicament is to move out of the city and rent an abandoned farm. The sale of food is banned. Military forces arrive to confiscate what little they have. Later, the city population follows, traveling to the countryside in panic to secure something to eat.

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.

Officer Blanca Bravo arrives in Juarez, Mexico — a grim nexus of corporate colonialism and sexual tourism — to investigate a rash of killings targeting female migrant workers. But with no help from the locals, bringing the responsible parties to justice becomes a frustrating exercise. As Bravo rails against indifference and local corruption, she finds herself on a collision course with Mickey Santos, a Mexican mogul with a taste for young prostitutes.

After the death of his parents, teenager Max discovers in himself an unusual ability to move into other people, penetrating into their minds. The viewer gets acquainted with the grown-up hero, behind whom there are already several journeys into the depths of the human mind, and one of them, the most pleasant for Max, is connected with the beautiful artist Vera. With her help, Max comprehends the true beauty of nature and the harmonious integrity of the world, and also shares his own unique knowledge with the girl. Together, the heroes have to go through a fascinating path, the routes of which lie far beyond the usual perception of reality.

On Declan's sixth birthday, his baby brother Michael dies in his crib from sudden infant death syndrome. His birthday forgotten, and not understanding what "dead" is, Declan experience's the death of his brother only through his parents' grief, frozen in their pain. Declan seeks refuge in his baby brother's room. His birthday now intrinsically linked with Michael's death, he tries to understand what has happened to his family, and if he too will stop breathing in the night. Based on a true story, SOUND ASLEEP is an intimate drama about death from the perspective of six-year-old boy.