Self - Kika
Self - Boukfraa
Self - Sofiane
Self - Amine
Self - Amar
The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist. The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.
At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară
On December 21, Nicolas Vanier will set off with his pack on a new expedition called L’Odyssée sauvage (The Wild Odyssey). He will travel nearly 6,000 kilometers to connect the Pacific Ocean to Lake Baikal, crossing Manchuria, Mongolia, and part of southern Siberia. The documentary follows the preparations for this journey.
Agnieszka Lukasiak travels to Algeria to capture it's conflict on camera. When she arrives, she's immediately sidetracked by romance with her host, Habib. She turns the camera on herself as she falls in love with him. the atmosphere quickly diminishes when Habib's family steps in and kicks her out. Not to be deterred, on her second visite to Algeria to seek Habib's love, she begins her real journey to expose the underside of the country.
In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.
Move over, King Tut: There's a new pharaoh on the scene. A team of top archaeologists and forensics experts revisits the story of Hatshepsut, the woman who snatched the throne dressed as a man and declared herself ruler. Despite her long and prosperous reign, her record was all but eradicated from Egyptian history in a mystery that has long puzzled scholars. But with the latest research effort captured in this program, history is about to change.
The face of stone. About the natural beauty of Ural gemstones, about the unparalleled beauty of pieces and jewellery made by Russian master jewellers. Malachite was used in the furnishing of the lounge room at the Winter Palace in St. Petersburg, which is why it is called the Malachite Room. Also featured are malachite items made using the complex technique of Russian mosaic. This semi-precious stone became widely used by craftsmen after the discovery of huge malachite deposits in the Demidov mines in the Urals.
