Documentary
Every year during the Art Basel fair, street artists from around the globe converge on Miami’s Wynwood district to transform its streets anew with a riot of creative colors. Streets of Wynwood transports the viewer into this nomadic subculture to meet some of world’s best…
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In the streets of Huentitán el Bajo, the horn of Chapo's car blares. He's a man who transformed his life, marked by violence, gangs, and addiction, into a story of redemption through art. After surviving a near-fatal ordeal, he found in sign painting and murals a way to heal and restore identity to his community. With his chopper bike, his music, and his wooden cart full of paint, Chapo travels the neighborhood, filling the walls with color and hope. Beyond his tough exterior, he reveals himself as a loving father, a committed artist, and a symbol of change in an environment still battling violence.

Director Deborah Faraone Mennella followed street artist Judith de Leeuw (JDL) for one year, during her life in the Netherlands and during the creation process 'Love is Stronger Than Death' in the Italian city of Taranto. You can see in a spectacular way how the 30-meter mural was created. common social issues are leading in JDL's designs. This time, however, it is the death of her father that plays a central role.

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.