Himself
Himself
Himself
Himself
Himself
Himself
Herself
Herself
Herself
Himself
Himself

Roy Payamal is the wildest busker of a country ranked the world’s most emotionless society. He takes his undermined line of work as a serious art- but is his faith impossible idealism or an admirable conviction? Singapore Minstrel is an invitation into his beautiful mind, a magical, trying universe where art and life dialogue in a tropical dream.

Director Deborah Faraone Mennella followed street artist Judith de Leeuw (JDL) for one year, during her life in the Netherlands and during the creation process 'Love is Stronger Than Death' in the Italian city of Taranto. You can see in a spectacular way how the 30-meter mural was created. common social issues are leading in JDL's designs. This time, however, it is the death of her father that plays a central role.

In the heart of Durango, the Low Biker community has forged a unique bond through a shared love for cumbias and custom bicycles, uniting neighborhoods across the city in a vibrant, collective passion. Amid the joy of their culture, they face the harsh realities of discrimination and prejudice, navigating daily challenges from a society that struggles to accept their way of life.

A dwarf, a dragon, and a golden egg. Yet the real fairy-tale of this film is the journey of Jeanmarie, the Dutch street performer. In an adventurous project, Jeanmarie teams up with youth worker Frank to travel through the last remaining untouched regions of China, performing his new show to local children. As they transport their wondrous music machine from village to village, they bring laughter and intrigue to all who witness their magical performance, reuniting reality with fantasy, Europe and Asia. In a film as imaginative and whimsical as Jeanmarie's play itself, this is a poignant tale of passion and conviction to follow and fulfil your dreams.
Every year during the Art Basel fair, street artists from around the globe converge on Miami’s Wynwood district to transform its streets anew with a riot of creative colors. Streets of Wynwood transports the viewer into this nomadic subculture to meet some of world’s best exponents of urban art and to appreciate first-hand how this once clandestine tribe of taggers, graffiti writers and muralists have claimed their place in the broader art world. It’s a dazzling experience.

Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.

The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.