Mari Boine Group - Live at JazzBaltica 1997

The group SOLJU, formed by Ulla Pirttijärvi and her daughter Hildá Länsman, combines their heritage of northern Sámi language and traditional chant, known as yoik, with a desire for new and innovative music. SOLJU provides a dialogue of traditional and modern Sámi culture. Solju is proud of their indigenous roots and want to show it to the world. Sámi culture and identity lie at the heart of the music, reflecting mythology and aspects of the traditional lifestyles of their homeland. The listener is taken to the far north of Europe: Sápmi. Solju soundscape ranges from the expansive wilderness of the tundra to the most intimate lávvu fireplace. The music can be described as vivacious, colourful, earthy, ethereal, and genuine. Recorde live at G Livelab, Helsinki, April 25, 2018. Songs from Solju's debut album "Odda Áigodat" (New Times), produced by Samuli Laiho and Teho Majamäki, mixed by Riku Mattila.

Esbjörn Svensson Trio & Schleswig-Holstein Chamber Orchestra feat. Pat Metheny – Live at JazzBaltica 2003 brings together modern European jazz, orchestral depth and Metheny’s lyrical guitar voice. The concert moves between delicate textures, driving rhythms and expansive ensemble passages, while the trio’s improvisational energy remains at its core. The result is adventurous, elegant and emotionally charged, capturing a rare meeting of jazz intimacy and symphonic scale.

Shuteen Erdenebaatar Quartet – Live at JazzBaltica presents a vivid meeting of lyrical piano, rhythmic precision and adventurous modern jazz. Erdenebaatar leads the ensemble with expressive touch and elegant control, moving effortlessly between delicate passages and more driving, energetic sections. The quartet responds with close interplay, rich dynamics and confident improvisation, creating a performance that feels intimate, contemporary and full of discovery.

Evelyn Kryger – Live at JazzBaltica 2021 is a vibrant fusion of jazz, world music and driving rhythmic traditions. The ensemble combines expressive violin and saxophone lines with keyboards, bass and percussion, moving confidently between atmospheric passages and explosive grooves. With pieces such as “Istanbul,” “Balcancan” and “Socarabica,” the concert feels adventurous, colourful and full of restless live energy.

Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

Sami dance students Birit and Katja Haarla dance through the villages and lost woods of Sápmi all the way to where the important decisions are made. The polarity of Nature and the Western way of life is filtered through sharp humour.

A man finds some glasses on the ground. When he puts them on he is transported into a Sámi world.

A documentary about Sami comic artist Mats Jonsson and his relative Stor-Stina. Her remains were long believed to have been lost in a fire but were recently found and returned to her home town of Malå to be buried.

When Mats' grandfather dies the family opens a wooden box containing evidence of the family's Sami heritage. Why has this been kept secret? Why did they stop being Sami? And why do they know so little about their history?

The traditional salmon weir of the River Sámi of Deatnu represents the symbiotic architecture of humans and ecosystems that also bears deeply on the international politics, global interests and changes of dynamics. As an architect, the director is also interested in the archetypal form of the weirs that also has things in common with other places and indigenous nations worldwide.