Can’t Sleep at Silent Night

This animation is a visual interpretation of a poem, "Crime of Passion" written by a Taiwanese poet, Hsia Yu. It is selected from her 1984 poetry collection, Beiwanglu, Memoranda. She reveals her emotions of love and sadness intertwined with one another and connects them with abstractions and metaphors. It expresses the preemptive feelings and desire for love regardless of reality. With the artist's way of interpretation, the poem transforms and alters its original forms. The artist wishes to present the poem in a different aesthetics from words to images.

Adam, a drifter, arrives in a small town after a long journey in search of his lost brother. There, he encounters a prostitute who offers to help him in his hopeless search, and after a long conversation, it seems she truly might. But the next day, Adam realizes that the town itself is toying with his sanity, his memories, and his very soul, as everything spirals into a Kafkaesque nightmare of labyrinthine plotlines and shifting personalities.

Mokhi media presents Loopy (2017)

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.

A boobs flasher tells us, a boobs flasher lets us see.

A teenager suffering from an identity crisis struggles to escape something that haunts her as she tries to find herself in this morally blurred and empty world.

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.

A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.

A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.