NO TE VAS A MATAR HOY

Antony, a nurse shaped by his father's early absence and the death of his best friend, moves through his days in a quiet state of disconnection. One night, he encounters a mysterious old man who claims to be a “translator of problems.” Among the buildings of Tlatelolco, hospital wards, and the hidden streets of Mexico City, the two embark on a journey where, little by little, they help each other heal and reframe their understanding of family, death, and salsa.

After waking from a recurring nightmare about a car accident involving his mother, Diego begins to notice strange signs that lead him to question the reality around him. As the dream reveals new clues, he is forced to confront a truth that could change everything.

The director of this film travels to meet her grandmother, a woman who lived alone in a vast house in the middle of La Pampa. The film captures the emotions of this journey into the past and delves into images of a bygone era, while also recapturing the simple joy of reuniting with loved ones and places that were once precious.

A suicide pact and a love triangle, framed in betrayal and perversion.