MEHR ALS LEGENDE – 35 Jahre BETONTOD | Offizielle Dokumentation

In Caazapá, the “city of magic and legends”, two Paraguayan students are searching for happiness, gold and a magic bird. Their European dropout neighbours are hoping for freedom, healing and salvation from Armageddon. Everything has its price.

Santino, a circus kid constantly on the move, listens to his great-grandfather's stories as his own life is just beginning.

The Doku follows the snow owls quest to survive winter. The animals travel from up north to central Europe and back. During their travels they‘ve developed plenty of strategies to make it through the harsh climates they encounter.

Grandma has become a little doddery. And since the death of her husband, called E.O., ever bigger gaps have opened in her memory, and her disorientation has increased. Director Astrid Menzel makes a decision: to take a ten-day canoe trip on northern German waters with her brother and the 86-year-old lady. An adventure whose outcome is uncertain and which the three travellers have to face anew at every stage.

In 1996, one of the biggest media scandals in German history shook the public: Michael Born, a self-made journalist, had faked over twenty reports for the newly established private television station between 1990 and 1996. Some seemed amateurish, others dealt with absurd topics: child labor for IKEA in India, drug addicts licking toads to get high, and the Ku Klux Klan in the Eifel region were just some of his numerous fabrications. How did it come to this? Was Michael Born an enlightened figure who subversively exposed the tabloid system, a victim of the system, or simply a bumbling fraud? Film traces Michael Born's footsteps. Put together from hundreds of hours of raw material and the memories of former companions, an incredible story of forgery emerges. A media-theoretical film about levels of reality, fake news, and the question: Why do we actually believe what we see?

They sew our clothes, tan leather for shoes and bags. Twelve hours of work, every day. Despite this, the people in the supplier countries are often desperately poor. How does this poverty come about? Manfred Karremann explores this question using the example of Bangladesh, where much of what we use every day is produced. Bangladesh is the second largest textile producer in the world after China. The main reason for the poverty: goods are produced incredibly cheaply in Bangladesh. About nine cents an hour is paid for the dangerous work in a tannery. The seamstresses in the textile factories get a little more. Just enough to survive. Because that's what it's all about for the men, women and children who do any job, for any wage.

Three stories. Three fates. Three women. How to survive a mental crisis? How to love yourself? What does it mean to find your happiness in life? This is discussed by a student, an artist in the image and a children's poet. Girls are eternal children, from college to retirement.

After the unexpected death of the filmmaker’s cousin in Vietnam, KYLE CHANT increasingly mixes real and digital memories, guided by Christmas carolers.