Extralife

Taking the elegance and poetic power of the sea as main elements, Andrade subverts the role traditionally imposed on women. From observed objects to subjects that open their eyes to forgotten realities. Images that, when fading out, reflect a world whose sensitivity is mutating. Scenes of a dreamlike quality that borders surrealism so as to show the new order of things.

Tradition and performance show us the physical relationship between man and animal when in combat.

"Man, in the need to explain and understand the world around him, gives the animal, especially on the symbolic level, the functions performed, at first only for himself. It is believed that the pig guesses its end, feels death, and on the eve of the slaughter spends the night beating on the door of the court, which is expressed with the belief that that night it gets up seven times to eat the owner". (Adrian Canoura)

A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.

The world is shared among two territories, two states of the being of opposite condition, get strained, are in crisis, to form, to shape what already exists. There’s a wall and there’s always someone who will go and look for what shit is on the other side and maybe on the other side you don’t find what expected. “La Brecha” is a movie that questions the whole concept of artwork while exposing the mechanisms of self-censorship and self-control of the creators at the time of producing their works.

Piedad has lived big part her life in Leiroso, a small village of the Bierzo, isolated of the urban world in company of her husband. Both decided to remain in the village, still when their children and neighbours were abandoning the place. At the age of 76, appears the Alzheimer in the life of Piedad, her husband died does some time, converting like this in the only inhabitant of the place but still like this, the option to go of there was not something that had in mind. The advance of the illness motivates that Amadeo, her younger son, take the decision to carry to his mother to live with him and his family to the city of A Coruña (Galicia, NW of Spain).

A filmmaker comes back to his grandparents' house to make them a video-portrait. That's what cinema is about, isn't it?