Le Canard à l'orange

A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 18th-century Peru.

When the friendship between two men is put to the test by two women, we can only laugh because the author has managed to adapt this situation in a superb comedy.

In pre-war Japan, a government censor tries to make the writer for a theater troupe alter his comedic script. As they work with and against each other, the script ends up developing in unexpected ways.

Blaise is a doctor, Monique, his wife, is his assistant. That Sunday, in Orleans, the doctor gone hunting, and Monique, finding herself alone, meditating on her monotonous life ... when the doorbell rings, she writes in panic: "I don't want to yell ! ". But she is already yelping, that is to say that she dreams, straddling the real and the imaginary, logic and vision, the concrete and the abstract ...

A staging of Paul Claudel's play "Partage de Midi" by Antoine Vitez.