Rudolf Platte
Karl Wiesner
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Karl Wiesner
Anni Wiesner
Inge Wiesner
Herbert Wiesner
Erich Seidel
Helen Wiesner
Leonard is a couch potato statistician who in his spare time writes railway station novels, with the secret hope of one day being published. After sending a good number of manuscripts that remained unanswered, luck finally smiles on him. His novel is selected by a publishing house. But having signed it with a female pseudonym to satisfy the imperative criteria of the competition, this luck quickly turns into a nightmare.
Lorette is married to Heller, a very jealous husband who has discovered a love letter from a former lover named François. He suspects (rightly so) Crémone, his best friend, and has vowed to destroy this rival. Lorette recruits a man, François Dominique, known as "Domino," to divert Heller's suspicions away from her former lover... who did indeed write the infamous letter. Domino will temporarily divert Heller's suspicions but will ultimately give rise to far more serious ones...
A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.
At sixty, Bernard Hubert has finally settled down and lives perfect love with Juliette, who is more than twenty years younger than him when they see landed, Thomas, an attractive thirty-something who claims, DNA test in support that he is Bernard's son. Problem: Bernard Hubert claims that he is sterile! Another problem: Juliette doesn't seem insensitive to the boy's charm. Would Bernard have opened the door to his son or his rival?
