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Self - Narrator (voice)
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
Follows the repercussions of the Israeli Security Wall and Settlement expansion in the engulfed/annexed Palestinian farming communities of the West Bank and the Gaza Strip, examining the grassroots resistance movement that sprang up against it. An interminable road trip across hard and liquid borders, across a terrain that is being erased as it is being traversed.
"I'm not black, I'm not white, not foreign, just different in the mind. Different brains, that's all," explains 15-year-old Billy in Jennifer Venditti's provocative coming of age film. Following Billy as he bicycles through the quiet streets of small town Maine, we watch him traverse the frustrating gap between imagination and reality, grappling with isolation and first-time young love. By turns exhilarating and disturbing, we see the world from the intimate view of an expressive and seemingly fearless outsider.
The Dungeon Masters explores the subculture of role-playing games, specifically Dungeons & Dragons, which for over 30 years has offered gamers the chance to escape their mundane lives and participate in a world they might otherwise never experience. Popularity and power are based on creativity and imagination rather than social status or wealth, and success is based not on who you know but on what you do.
As local newsrooms vanish, "News Without a Newsroom" explores journalism's uncertain future in the digital age. Through powerful stories and expert insights, the film examines the collapse of traditional media, the rise of misinformation, and the fight to preserve truth, trust and accountability in an era of disruption.
"Live at the Great American Music Hall" captures Secret Chiefs 3 in concert with what many consider to be the best of their many lineups in 14 years of playing. Shot in 2007 at one of the band's favorite haunts, this film does justice to a group whose live energy usually exceeds the recorded medium. Renowned for their ultra-elaborate productions, Secret Chiefs 3 has also garnered a reputation for the power and immediacy of their live shows. Their fanbase has swelled in recent years and grown accustomed to this live incarnation (the Secret Chiefs 3 bootleg scene is thriving), and they demand an official release! At the show, Secret Chiefs 3 performs a set of both familiar and as-yet-unreleased music. The line-up includes Ches Smith (Xiu Xiu, Marc Ribot's Ceramic Dog), Shahzad Ismaili (who also plays with Graham Haynes, Laurie Anderson, and Tom Waits), Timb Harris (Estradasphere), Rich Doucette, Peijman Kouretchian, and Jai Young Kim.
A freewheeling portrait of Ken Kesey and the Merry Prankster’s fabled road trip across America in the legendary Magic Bus. In 1964, Ken Kesey, the famed author of “One Flew Over the Cuckoo’s Nest,” set off on a legendary, LSD-fuelled cross-country road trip to the New York World’s Fair. He was joined by “The Merry Band of Pranksters,” a renegade group of counterculture truth-seekers, including Neal Cassady, the American icon immortalized in Kerouac’s “On the Road,” and the driver and painter of the psychedelic Magic Bus.
