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The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.
Before George Floyd, before Breonna Taylor, before America knew about Black Lives Matter, there was Michael Brown, Jr. On August 9th, 2014, in Ferguson, Missouri, a white police officer fatally shot an unarmed Brown. The community reacted in protest, anger, frustration, and fear. Six years later, a new story emerges - one filled with hope, love, and beauty.
More than two decades after it left our screens, BBC Two’s iconic and much-loved music documentary series, Rock Family Trees, is back for a one-off special. The iconic music documentary series returns to examine the real story behind the birth of Britpop and how a handful of like-minded musicians, struggling to find an authentic voice, would pave the way for a revolution in British music. It is an intricately connected story of three of the biggest bands of the 1990s – Suede, Elastica and Blur – and how, for a brief moment in the middle of that decade, they changed British music forever, kickstarting a movement that still reverberates to this day.
The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
Amidst the grand walls of the Forbidden City, the film takes us on a deep journey through the ceremonial life of the Chinese emperor, unveiling the secrets and intrigues of concubines, eunuchs, and palace maids. As the West begins to influence China in the late 19th century, the dynamics within the city shift dramatically. The film highlights the preservation and restoration of invaluable treasures and paintings, culminating in the creation of the Palace Museum. With insights from renowned China scholar, Jonathan Spence, this is an intimate exploration of the rich cultural and historical tapestry that makes up the heart of ancient China.
