Thug Life in D.C.

A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

A master thief coincidentally is robbing a house where a murder—in which the President of the United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities is a documentary about the slums of four different metropolitan cities.

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

Young gangster wannabe is framed for a murder and sent to prison.

Jacek climbs into the taxi driven by Waldemar, tells him to drive to a remote location, then brutally strangles him, seemingly without motive.

One late night in June 1942, Sakuma Seitaro dangles from the frame of a skylight in an isolation cell in Akita Prison. He forces open the glass window and breaks out of jail. This crime even reaches the ears of Urata Susumu, the chief warden of Kosuge Prison in Tokyo. Urata had been in charge of those sentenced to life in the prison until last year. Although Sakuma is a dangerous person who had also broken out of jail in Aomori, he submits to Urata who is the only person who had treated him kindly in the past. However, three months after escaping from jail, Sakuma shows up at Urata’s house. He has come to complain about the inhumane Akita prison officers. But he is locked up again after Urata notifies the police during an unguarded moment. A year later, Sakuma is sent to Abashiri Prison and Urata is also ordered to transfer as the prison’s chief warden.

Dirty Harry Callahan returns for his final film adventure. Together with his partner Al Quan, he must investigate the systematic murder of prominent figures. By the time Harry learns that the murders are part of a sick game to predict such deaths, it may be too late.

Kermet, Ögrem and Lorenzo meet in prison after committing different crimes. They escape and steal a car to meet Albaner. Lorenzo leaves them to get a haircut. While he is away, the others get into trouble...